Christie published two non-fiction titles; her Autobiography and Come, Tell Me How You Live. Both give us an insight into her life and are written with honesty and humour.
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I think that this is a very interesting look at what goes behind the scenes at an archaeological dig. The scene that sticks with me the most is the horrible night where the Mallowans sleep in a room filled with scurrying rats!
I liked this one. It may not please fans who are only interested in her crime works. There were some funny incidents, the new fashion for zips and the trouble they cause. Then her husband Max's suggestion that he needs something heavy to push down his suitcase lid, so asks Agatha to sit on it! Not very flattering, but AC tells it good humour.
I found this book especially interesting after having read various Christies that take place in archaelogical settings in the Middle East ("Murder in Mesopotamia," "They Came to Baghdad," etc.). It was certainly enjoyable to read, and although I found some of the descriptions somewhat offensive, they are certainly relevant to the time and culture in which Christie was writing.
I also enjoyed this book. I enjoyed the parts were ACM wrote about being the photographer for the dig and who can forget about the car and the driver.
Ten people, each with something to hide and something to fear, are invited to a lonely mansion on Soldier Island by a host who, surprisingly, fails to appear.
When the wealthy patriarch, Aristide, is murdered, suspicion falls on the whole household. ...
Travelling on the Orient Express, Poirot is approached by a desperate American. Afraid that someone plans to kill him, Ratchett asks Poirot for help ...
Masthead Photography: Joan Hickson image © BBC
MURDER MOST FOUL © Turner Entertainment Co. A Warner Bros. Entertainment Company. All Rights Reserved.
AGATHA CHRISTIE® POIROT® MARPLE® Copyright ©2009 Agatha Christie Limited. All rights reserved.
Christie chose to publish this title under her married name - Agatha Christie Mallowan. This would seem a clear indication of her decision to separate her private life from her public life
The autobiographical description of the excavations she went on with husband Max, are told in a lighthearted manner embued with humour.
When Christie first wrote the manuscript her publishers didn't approve of it. The tone was quite different to her usual work - Christie described it as "frivolous". Certainly the tone is lighthearted but when reading titles such as Murder in Mesopotamia, it is possible to see influences of her archaelogical life.