Agatha Christie wrote over a dozen plays, the most famous of which is The Mousetrap - the longest running play in the world. Here you can discuss each play in detail.
Warning: These discussions may contain spoilers!
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I think that in a dramatic adaptation of "Towards Zero," where the villain is one of the most twisted and sadistic in the Christie canon, you really need to focus on giving top-notch actors a chance to create the sinister mood. The killer has to be given a chance to show the evil leer beneath the smile, the victim-to-be has to demonstrate her increasing mental strain, and the the "couples" in the play have to have real chemistry. The play needs more than just the plot to work: you have to create an escalating atmosphere of doom.
I had heard that Towards Zero was a collaboration, but I don't know how or why Christie partnered with Verner. Actually, I don't think Verner is credited as a co-writer in the American edition of Towards Zero.
Ten people, each with something to hide and something to fear, are invited to a lonely mansion on Soldier Island by a host who, surprisingly, fails to appear.
When the wealthy patriarch, Aristide, is murdered, suspicion falls on the whole household. ...
Travelling on the Orient Express, Poirot is approached by a desperate American. Afraid that someone plans to kill him, Ratchett asks Poirot for help ...
Masthead Photography: Joan Hickson image © BBC
MURDER MOST FOUL © Turner Entertainment Co. A Warner Bros. Entertainment Company. All Rights Reserved.
AGATHA CHRISTIE® POIROT® MARPLE® Copyright ©2009 Agatha Christie Limited. All rights reserved.
Including Nevile Strange and his wife Kay as guests at her house party should be quite pleasant for Lady Tressilian. But also having Nevile's first wife Audrey there really does add something to the mix. Kay is not at all impressed with the attention Nevile is giving to Audrey When Lady Tressilian is found bludgeoned to death all the evidence seems to lead to Nevile. But is this evidence rather too contrived? Thankfully Superintendent Battle is on hand to solve this nasty murder and following the clues leads him to a very deranged mind.
This was not one of Christie's most successful adaptations (done in conjunction with Gerald Verner) but did it deserve to close after six months? What could she perhaps have done to make this a more memorable play?