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Peril at End House

cat1234-avatar
cat1234 11 Nov 08 at 10:50 p.m. GMT

I have just finished reading Peril at End House for the third time. I loved the book and the whole atmosphere but one or two things left me wondering:

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a) Nick invited Maggie to End House on Tuesday. After Poirot's suggestion she asked her to come on Monday instead, but that was her initial plan anyway, otherwise why buy the black dress to wear on that specific day? What puzzled me is how could she possibly know that Seton's death would be announced on that specific day?

b) About Seton's letters. Poirot explained that Nick took the letters from Maggie (after she heard of Seton's death on radio) and she hide some of them in her drawer. It seems to me very unlikely that Maggie would carry all Seton's love letters on her and anyway where did Nick hide the rest of them?

c)But what kept me wondering the most (and Poirot didn't give any explanation either) is the second box of chocolates!! Who ordered it?? What was the purpose of it? And wy have two boxes anyway..one was enough!

Any suggestions?

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kieranlandregan-avatar
kieranlandregan 17 Jul 11 at 5:51 p.m. GMT

My favourite story, not only as it is set in Cornwall, but it is Christie's most surprising and satisfying conlusion after The Murder of Roger Ackroyd

StJohnSmythe-avatar
StJohnSmythe 08 Dec 08 at 6:01 a.m. GMT

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cat1234-avatar
cat1234 13 Nov 08 at 10:35 p.m. GMT

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StJohnSmythe-avatar
StJohnSmythe 13 Nov 08 at 12:51 a.m. GMT

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Marc_Anton-avatar
Marc_Anton 12 Nov 08 at 12:17 p.m. GMT
I think we also had this discussion on the 'old Forum'. Peril at End House is a favourite novel of many readers (including myself). It has strong characterisation, a fascinating murderer and murder motive and lots of sinister and threatening atmosphere. Still, there are various plot holes that raise quite a few questions when you look at them closer. I remember a very vivid discussion about the terms of the Seton will and who would get the fortune if there wasn't one. The timing of the murder is a bit awkward, it demanded very quite action by the murderer. But for some reason these little inconsistencies don’t detract from enjoying the book. I find the novel very well constructed. Though there is ‘only’ one murder, the pacing of the investigation is one of Christie’s better efforts. There is a nice sub plot with a fake will and various irresponsible ‘bright young things’ from the early 1930s. I rate it among Christie’s five or ten best from the 1930s.
GKCfan-avatar
GKCfan 12 Nov 08 at 5:15 a.m. GMT

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