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go_leafs_nationIt's interesting enough on the first read, but gets rather dull on subsequent ventures, I must admit. It has some very good scenes packed in there somewhere, but overall, it isn't worth walking through the mud to reach these scenes.
It's the opposite for me. It was dull for me at first read, but rather poignant at second read, when I knew what pages and even chapters I can skip.
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The thing with Nemesis is that it really should be half the size it is. The basic literary themes and plot are sound, but it's a very redundant read - I've lost track of the times miss Marple meets an authority figure or other and begins telling us about mr. Rafiel's mission in painful detail. Redundant dialogue that adds nothing to the plot or to the characterization was somewhat endemic in the later Christies.
Never read again: Sleeping Murder, Postern of Fate, Nemesis, Halloween party, Endless Night, Third Girl, At Bertrams's Hotel, Passenger to Frankfurt, Elephants Can Remember.
The ones I never read again are The secret of Chimneys. Not because it's badly written, but because of the fact it's not my type of book.
I read Cat among the pigeons and I didn't like it. But one day years later, I was stuck without a book, so I reread CATP and I liked it! So I give some books a second chance.
The other is the Poirot book The Big Four. I really disliked it, it was too far fecthed. Yet somehow if it had been a non Poiot, it could be more believable. Poirot must be getting on in years even then, but he's traveling from country to country. There may have been a scene where he jumps from or train, or am I mixed up? Anyay, it's my least favourite Poirot. Even Hasting's wife was given the wrong name in this one.
Ordeal by Innocence, One, Two Buckle my Shoe, Endless Night, because I found them all too slow and slightly confuzzling.
'Death Comes As The End was boring but I admire Agatha's attempt at writing a book set in that period.
It must have been strenuous to do all of that research & write a mystery at the same time. It truly is a one of a kind novel --you have to admit -- even if you don't care for it.
Hi Moley, I agree with Silverdore, "After The Funeral is a very good book and you are right I did think 'Death Comes As The End was boring but I admire Agatha's attempt at writing a book set in that period.
My good friend "Silverdoe" likes "After the Funeral" too, but I still find that there were too many bland characters & thus I cease to waver on my opinion.
And I remember you saying that you found Death Comes as the End as long & boring, winne. I liked it very much, though, particularly b/c I enjoy reading about ancient Egypt.As I said to Frndorfoe I agree about Passenger To Frankfurt and Endless Night, I had to force myself to finnish both books aswell as 'Death Comes As The End' and with 'The Murder of Roger Ackroyed' and 'Lord Edgware Dies' the endings made me so Angry I wouldn't want to read them in fact I found 'Lord Edgware Dies so boring I spoilt it for myself and kept looking ahead. 'The Big Four' is another I would not re-read.
I personally loved After the Funeral, and consider it one of AC's best. I disagree with your statement that there were too many characters. The major, essential players are simple to remember. It was extremely interesting in its pessimistic atmosphere, too, recreating the feel of the 50s, as England got richer, and servants could get better-paid jobs elsewhere. Besides, Aunt Cora was such an innocent character, I really wanted to know who dared murder her so brutally.
Endless Night, on the other hand, is one that I don't much like. The books struggles with an obvious, over-extended plot (some of the solution is laughably ridiculous, the target of much mockery on the old site), and its only interesting feature is the narration. The effect wears off quickly. Say what you like about character study, this book redefines the concept of sheer boredom for me.
One book that I find is overrated (and I'm in no rush to re-read it) is The Mysterious Affair at Styles. Agatha wasn't in her finest form just yet. Sure, it's a great introduction to Poirot, but it isn't a great Poirot. The solution is SOMEWHAT interesting. but it isn't "drop-the-book-in-surprise" brilliant. Certain characters (the victim's huband jumps to mind) seem like distant cardboard caricatures, hard to sympathize with.
My first one would have to be "Elephants Can Remember". It was boring from beginning to end, & the solution was NOT suspenseful. The characters (besides, Poirot & Ms. Oliver) were bland & it was kind of sad to read it as Poirot was really getting up in years along w/ the fact that it was his next to last case.
The second one for me would have to be "The Man in The Brown Suit". Which is probably the worst AC book I have ever read. I think AC had a lot of well rounded characters in the book but the plot was way too melodramatic: it wasn't even merely close to being real. And for all the drama that did occur none of it was interesting.
Another one would have to be "After the Funeral". It seems to be a fan favorite on here, but I can't comprehend why. There were too may characters & essentially there were 'too many cooks in the kitchen' that one could easily find themselves losing track of them all, not to mention that besides Poirot they were all boring! I only finished it b/c I never do not want to finish reading a Christie.
But the majority of her books are not bad.
First on the list is The Mysterious Mr. Quin. I was never fond of Quin's theatricality and harlequinade. The stories focus more on making Quin mysterious, and less on the stories themselves, which are often huge disappointments.
Postern of Fate is another one. It is the only novel in which Agatha Christie doesn't employ the rules of fair play, and it has an extremely rambling nature, quite unlike her best work. You can tell this isn't the same Agatha who wrote Crooked House.
Another one is Passenger to Frankfurt. The introduction is worth reading, as it sheds some light on the craft of writing. However, the book itself is hugely disappointing- it runs around in complicated circles, failing to build suspense, but successfully confusing the reader. By the end, I couldn't care less who the culprit was-- I wanted to get on to another book.
Also, when rereading Nemesis, I found it to be far less of an achievement than my originally enthusiastic response would suggest. Again, Agatha rambled too much, and the characters felt really distant. This is one rare case where the TV adaptation (Hickson's, of course) improved the plot of the book (although the book's neat atmosphere was lost in the process).
Ten people, each with something to hide and something to fear, are invited to a lonely mansion on Soldier Island by a host who, surprisingly, fails to appear.
When the wealthy patriarch, Aristide, is murdered, suspicion falls on the whole household. ...
Travelling on the Orient Express, Poirot is approached by a desperate American. Afraid that someone plans to kill him, Ratchett asks Poirot for help ...
Masthead Photography: Joan Hickson image © BBC
MURDER MOST FOUL © Turner Entertainment Co. A Warner Bros. Entertainment Company. All Rights Reserved.
AGATHA CHRISTIE® POIROT® MARPLE® Copyright ©2009 Agatha Christie Limited. All rights reserved.
I was having a discussion with WINNEBAGO1901 on another thread about books which we have hated and will not like to re-read again. Like me and WINNE do any of you have any Agatha Christie book or books that you will not like to re-read again? If you have any please tell me which ones are they and why you didn't like them.